Inspired by Motown‘s assembly line of sound, George Clinton gradually put together a collective of over 50 musicians and recorded the ensemble during the ’70s both as Parliament and Funkadelic. With Funkadelic firing on all cylinders, however, Clinton decided to discontinue Parliament (the name, not the band) for the time being. The group released one album – 1970’s Osmium – and scored a number 30 hit, “The Breakdown,” on the R&B charts in 1971. Revilot folded not long after, with the label’s existing contracts sold to Atlantic Clinton, however, decided to abandon the Parliaments name rather than record for the major label.īy 1970, George Clinton had regained the rights to The Parliaments name: he then signed the entire Funkadelic lineup to Invictus Records as Parliament. Founded in 1968, the group began life as a smoke screen, claiming as its only members the Parliaments’ backing but in truth including Clinton and the rest of the former Parliaments lineup.

Instead of waiting for a settlement, Clinton decided to record the same band under a new name: Funkadelic. The Parliaments finally had a hit with the 1967 single “(I Wanna) Testify” for the Detroit-based Revilot Records, but the label ran into trouble and Clinton refused to record any new material. The Parliaments released only two singles during the next ten years, but frequent trips to Detroit during the mid-’60s – where Clinton began working as a songwriter and producer – eventually paid off their investment. Basing his group on Fr ankie Lymon & the Teenagers, Clinton formed The Parliaments in 1955, rehearsing in the back room of a Plainfield barbershop where he straightened hair. The Parliament/Funkadelic machine ruled black music during the ’70s, capturing over 40 R&B hit singles (including three number ones) and recording three platinum albums.īorn in Kannapolis, NC, on July 22, 1941, Clinton became interested in Doo-wop while living in New Jersey during the early ’50s.

Recording both as Parliament and Funkadelic, George Clinton revolutionized R&B during the ’70s, twisting soul music into funk by adding influences from several late-’60s acid heroes: Jimi Hendrix, Frank Zappa, and Sly Stone.

Atomic kid jr poducer